Pocket Grooves, I. Joropo

Pocket Grooves, I. Joropo

Movement I. of Pocket Grooves by Gene Koshinski, commissioned by me for performance at the 2015 IDRS Conference in Tokyo, Japan. This movement is based on the Venezuelan dance, the joropo, and puts high demands on technique, tonguing and range for the bassoonist.
Pocket Grooves, II. Samai

Pocket Grooves, II. Samai

Movement II. of Gene Koshinski's Pocket Grooves, commissioned by me for the 2015 IDRS Conference in Tokyo, Japan. The Samai features rhythmic and melodic conventions of middle eastern music.
Pocket Grooves, III. Choro

Pocket Grooves, III. Choro

Movement III. of the piece Pocket Grooves, by Gene Koshinski, commissioned by me for the 2015 IDRS Conference in Tokyo, Japan. The Choro is based on Brazilian rhythmic and melodic traditions.
Get It! for Bassoon and Percussion

Get It! for Bassoon and Percussion

Get It! for Bassoon and Percussion by Gene Koshinski. I commissioned this work from Gene with the goal of having a new piece that is demanding on the player, and pleasant for audiences. We've performed this around the world, and audiences love it!
Hymn of Acxiom

Hymn of Acxiom

My arrangement and recording (done in my attic!) of Vienna Teng's "Hymn of Acxiom" arranged for 8 bassoon parts.
Quartet for Bassoon and Strings-Francois Devienne

Quartet for Bassoon and Strings-Francois Devienne

The Quartet in C Major, movement I. Allegro moderato, performed at the Glazunov Conservatory in Petrozavodsk, Russia for the opening gala concert of the Silver Sounds International Chamber Music Competition, for which I was an adjudicator.
C.M. von Weber, Concerto for Bassoon in F major

C.M. von Weber, Concerto for Bassoon in F major

Movement III. of the Concerto for Bassoon in F Major by Carl Maria von Weber performed in Weber Music Hall on the campus of the University of Minnesota Duluth, 2009.
Quartet in C Major -Francois Devienne

Quartet in C Major -Francois Devienne

The Quartet in C Major, movement III. Allegro vivo, performed at the Glazunov Conservatory in Petrozavodsk, Russia for the opening gala concert of the Silver Sounds International Chamber Music Competition, for which I was an adjudicator.